Just before Essen, I was contacted by a Núria Casellas, from Cucafera Games. She was curious if I would take a look at their newest game ‘Zoom In Barcelona’. If you attended SPIEL19 you might have seen the game. I am always happy when designers or artists contact me about their project so I Zoomed in on the game. It is with great joy that I share this interview with the English artist – based in Barcelona: Sophie Wainwright.
Tell us a little about your artistic background?
Without sounding like too much of a cliche, I’ve always been interested in art. I was drawing at a young age and it’s something my parents have always encouraged.
As a teenager, I used to play online games and would sell illustrations of players’ avatars to make gold etc.
Recently there’s been a hashtag on twitter I love to follow. #10days10cards – It is a great source for beautiful card arts.
SO when the Instagrammer @Notplayingtowin chooses to post this image I can only agree – it is wonderful. And the artist that stands behind some of the iconic visuals from the beloved game Mysterium is also behind the new equally beautiful Obscurio -published by Libellud. That is the Belgian Xavier Collette now living in France. I bet that I am not the only one that is awestruck by the incredible skills showing in his art. I’ve asked Xavier about his art beginning like always with his background.
It is not an easy task to create art that draws you closer with a vivid and magical atmosphere that matches the one in the fairy tales of Lewis Carrol. If you attend Gen Con you can experience just that in the game “Hats” designed by Gabriele Bubola and released by Thundergryph Games. Let me present you the incredibly talented artist Paolo Voto from Bologna in Italy.
Tell us a little about your artistic background?
My journey in the illustration world began as a child. I cannot tell exactly when because, from what I remember, I demonstrated a great interest for drawing straightaway. For this reason, I have studied painting at the Academy of Fine Arts for a couple of years. Indeed due to personal circumstances, I did not graduate.
The first professional tool which gave me the chance to earn some money is the airbrush pen. The same I have used to customize several choppers motorcycles. After that, I worked for a confectionary company where I used to decorate chocolate eggs and similar products for many years.
Meanwhile, I came closer to digital, I made my first illustrations with Photoshop getting more and more skilled.
I regularly visit ‘art & graphic design for tabletop gaming‘ on facebook – mostly to learn from the different feedback on art. I cam across the works of Shirin Rafie from Singapore on the game Jumpship. The kickstarter for Jumpship has gone under my radar and was apparently cancelled. It seems on the backers that they look forward to a re-launch. The game is available as Print and Play here. But the state of the game does not change the fact that the artwork on it is really incredible and personal. Enjoy the interview.
Tell us a little about your artistic background and how you got into making art for board games like Jumpship and March of Ants?
I got most of my art background from studying Animation in University, where back then I was very interested in developing my skills under pre-production and concept development.
I got into board games through a contact who eventually became a good friend of mine where he engaged me to work on art for various educational board games for schools. Having more familiarity with job scopes like these, I took my chances in finding more work over at Board Game Geek in order to find more opportunities!
Sometimes the style you think you have is great until you fit them all together and realize that they don’t work well together with other nitty gritty things, like the font or the graphic design.
I recently posted an Instagram with the incredible box cover of ‘Between Two Castles’. The creator is the same polish artist that made the fantastic illustrations on ‘Dream Home‘ and ‘Spy Club‘ – Bartłomiej Kordowski. So I am happy to share his story here. enjoy.
Tell us very shortly about your artistic background and how you got into making art for board games?
In short, I always like to draw. As a kid, my parents and friends kept my passion, so I started to educate myself.
Surrounded by beautiful forests in a town called Murphysboro you will find Daryl. He is a board game artist that broke into the industry with a personal passion project – The Dobbers. With his recent wonderful contribution to the game Freshwater Fly ( Only a few hours left on the Kickstarter) – I knew that we had to pick his brain and feature him here. Enjoy.
Tell us a little about what you do, your artistic background and how you got into making art and now board games?
I’ve been drawing as long as I can remember. My passion to draw really ignited in the late 80’s and 90’s when I fell in love with Marvel comic books. I have a full set of the original Infinity Gauntlet comics sitting on my desk with me as I type this. I later went to the Savannah College of Art and Design in Georgia, majoring in Sequential Art. Sequential Art is basically comic books. There is a heavy emphasis on Illustration and Graphic Design, particularly for the purpose of story-telling. After college, I independently published a comic book, The Dobbers. It was a light-hearted tale of gnome-like, forest creatures who stumble upon a quest involving a great deal of treasure and a magical sword.
Some games are pretty and some games look cool – but the illustrations in the game Wingspan are jaw-dropping beautiful. The game is published by Stonemaier Games and designed by Elizabeth Hargrave. The production is sublime with cute little egg components and over 170 unique bird illustrations giving the game value that exceed pure gaming.
Player mat, dice tower (bird house) and card backs are made by byBeth Sobel. The lavishly realistic painted bird illustrations are made by the Colombian female artists & friends Ana María Martínez Jaramillo and Natalia Rojas. They are the wingtips of the project making Wingspan lift to the skies.
GreenHookGames are excited to bring you a team interview with BOTH Ana and Natalia. I encourage you afterwards to visit both of their individual portfolios. Welcome Ana & Natalia – tell us a little about yourselves.
It oozes warmth, family, tradition and fun. That could describe the art of Ryan Goldsberry from Livermore CA. Teaming up with the designer of Burgle Bros, Tim Fowers – was a turning point for Ryan. Enjoy the interview.
Tell us a little about yourself, what you do, your artistic background and how you got into making art for board games?
My artistic background mainly involves drawing hundreds of pictures of the Ghostbusters and Mr. T when I was a kid. Eventually I moved on to drawing other stuff…nothing quite as exciting though. In college I saw that they had animation classes, and I thought, “hey, that sounds nifty!” So I got into animation and worked in video games for around 12 years.
After college, when I was animating Lara Croft, along with all her assets, I was contacted by my good buddy Tim Fowers. He assumed that since I was an animator that I could probably draw pictures as well. He said he was making a video game and could I help with the illustration. I said “sure! Will it make us rich?”
The board game industry is flourishing with great game ideas but I must say I did not see this coming – a plantable card game . German Sebastian Sattler that recently moved back from Barcelona to Berlin is the author and designer of this wonderful innovative board game project where you can play a game of cards and afterward grow plants from the game. The game is very pretty and stylish and I am happy to speak to the designer about it.
Tell us a little about your artistic background and how you got into making board games and graphics for board games?
Welcome back Snorre. I have asked for another interview with you because you and Asger have just launched the Kickstarter for your fast-paced character driven fighting game – Combo Fighter.
Give everyone that doesn’t know Combo Fighter the quick rundown.
Combo Fighter is our take at the classic arcade fighting game as a board game. We really wanted to keep it simple, intuitive, fast-paced and engaging. Asger has played a lot of Tekken and I remember being really fascinated by the original more comic book art style of the arcade games. During our development of the 10 fighters, we focused on giving each fighter a unique feel and fighting style so the characters feel and play very differently.
Following your progress on the sideline, I know that the game has undergone radical changes. Can you tell us a little about this?